This end-of-year show tells the story of David's journey from the darkest and loneliest moments of his life during the pandemic to the happiness and freeing relief he experienced once it was over. He realised the importance of not taking everyday moments for granted; after feeling trapped indoors for so long, the ability to escape and live again felt incredible.

David was heavily inspired by the iconic scene featuring the two leads on a motorbike in Wong Kar-wai's "Fallen Angels" (1995). He aimed to channel the negative and dark emotions from the pandemic into something creative. In that memorable scene, cinematographer Christopher Doyle shot in an underground, gritty tunnel, which inspired David to choose a similar location. The tunnel provided an intentional feeling of being trapped, reflecting the lockdown experience.

Additionally, David incorporated the personal, ultra-wide-angle perspective seen in the film into his work. This approach heightened the discomfort and emphasised the uncertainty that characterised everyone’s lives during COVID-19. The green and dark khaki colour scheme in this scene also informed the editing process, evoking a darker, more ominous tone that complemented the mood of lockdown.